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The evolution of representing female sexuality in Hindi cinema 1991–2010 Shoma A. Theodore BaskaranĤ.9 Beyond the star: Telugu comedy films and realpolitik in Andhra Pradesh Joe ChristopherĤ.10 Mapping the invisible world of Bhojpuri cinema and its changing audience Ratnakar TripathyĤ.11 From Lahore to Bombay … to Vancouver: The checkered journey of Punjabi cinema Prabhjot Parmar RaghavendraĤ.8 The star-politicians of Tamil Nadu: The origin and emergence S. PillaiĤ.7 Kannada cinema and Princely Mysore M.K. Madhava Prasad The Indian New Wave Ira BhaskarĤ.1 ‘Bengali’ cinema: Its making and unmaking Sharmistha GooptuĤ.2 Assamese cinema: Dreams, reality and dichotomies Manoj BarpujariĤ.3 Odia cinema at seventy-five Shyamhari ChakraĤ.4 Marathi cinema: The exile, the factory and fame Amrit GangarĤ.5 Gujarati cinema: Stories of sant, sati, shethani and sparks so few Amrit GangarĤ.6 Matriliny to masculinity: Performing modernity and gender in Malayalam cinema Meena T. Moti Gokulsing and Wimal Dissanayakeįrom cultural backwardness to the age of imitation: An essay in film history M.
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List of illustrations List of contributors Acknowledgements 1 Dissanayake, Wimal, editor of compilation. pages cm Includes bibliographical references and index. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data Routledge handbook of Indian cinemas / edited K. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Moti Gokulsing and Wimal Dissanayake The right of the editors to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. Moti Gokulsing and Wimal Dissanayakeįirst published 2013 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2013 K. He has published widely on Indian cinema, and is co-editor of Popular Culture in a Globalised India (Routledge, 2009) with K. Wimal Dissanayake teaches at the Academy for Creative Media at the University of Hawaii, USA. His publications include Soft-Soaping India: The World of Indian Televised Soap Operas (2004). He is the co-founder and co-editor of the journal South Asian Popular Culture published by Routledge. Moti Gokulsing is Senior Visiting Research Fellow at the University of East London, UK. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies. The Handbook provides a comprehensive and cutting-edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. Combining an historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. After years of marginalization by academics in the Western world, Indian cinemas have moved from the periphery to the center of world cinema in a comparatively short space of time.
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India is the largest film-producing country in the world and its output has a global reach.